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PAINTED WOOD I have always loved graphic line drawings and cross hatching. These were shows where each piece of wood paralleled the lines in my drawings. The wooden forms have paint. It created a world and color without enclosure so there was volume but it was not an...
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INDUSTRIALREPURPOSED Brief: Industrial materials have always fascinated me and I have used them in my scenography extensively. Unusual shapes and textures are fun to work with. Starting out in poor theatre there was little or no money to be spent on productions, so I...
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RED / WHITE / BLACK 1983: IN THE JUNGLE OF THE CITIES 1995: STILL THE NIGHT #1 2006: RICHARD III 2012: THE RESISTIBLE RISE OF ARTURO UI 1984: CAPTIVATING COLE 1996: STILL THE NIGHT #2 2010: SWEENEY TODD #2 1989: THE THREE PENNY OPERA 1998: HAMLET 2010:...
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WHITE SETS/COSTUMES 1972: THE STAG KING 1978: CANDIDE 1984: THE TEMPEST 1997: HEAR THE LAMBS A CRYING 1975: HIGHER 1983: ROMEO AND JULIET 1984: CAPTIVATING COLE 2002: PER GYNT 1975: A PARTY 1983: IN THE JUNGLE OF THE CITIES 1987: TETE-A-TETE 2007: COPPER...
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STRONG COLOUR Colour is life and strong primary colour even more so 1969: THE LIFE AND DEATH OF HEROD 1971: PERICLES 1974: THE ADMIRAL BASHVILLE 1975: SCAPIN 1977: BELLA 1982: THE DESERT SONG 1988: IN THE LAND OF THE SPIRITS 1994: COMMONWEALTH GAMES 2007: THE COPPER...
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PAINTED-GRAPHIC The medium is the message. Graphics are fast, strong, and more direct in terms of the image you wish an audience to relate to. I love drawing and often make it the detail and 3d depth of place ..rather than realistic construction and painting. Using...
